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Monsters Are Due on Maple Street Story vs Movie Comparison (Serling) Analysis

Rated 4.85 out of 5, based on 53 reviews
4.9 (53 ratings)
;
Grade Levels
5th - 10th
Standards
Formats Included
  • PDF
Pages
2 pages
$1.59
$1.59
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What educators are saying

This resource helped my students compare and contrast the film version with the written screen play. It helped engage the students and encouraged them to discuss the similarities and differences that they found.
This was a valuable support resource after we read the story. It is also a great activity for when you have a substitute in for you.

Description

Monsters Are Due on Maple Street Movie vs Story Comparison

TEXT = "The Monsters Are Due on Maple Street" by Rod Serling
FILM = A 26-minute Twilight Zone episode first broadcast in 1960.

* "The Monsters Are Due on Maple Street" film (complete film)

ONLINE COPY OF TEXT (Note: For copyright clarity, we didn't post this scanned version online...someone else did.)
* "The Monsters Are Due on Maple Street" TV script (complete text)

>>> MEETS COMMON CORE STANDARDS <<<
- CCSS.ELA-Literacy.RL.7

This 2-page organizer will help your students compare the story to the movie.

How is the movie different?

After reading "The Monsters Are Due on Maple Street", students will view the film and analyze the differences. This opens up a bunch of fun and critical-thinking conversation about why the movie-makers would change parts of the story for the film. They are, after all, two different works of art.

Enjoy "The Monsters Are Due on Maple Street"!

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Total Pages
2 pages
Answer Key
Not Included
Teaching Duration
1 hour
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Standards

to see state-specific standards (only available in the US).
Compare and contrast the experience of reading a story, drama, or poem to listening to or viewing an audio, video, or live version of the text, including contrasting what they “see” and “hear” when reading the text to what they perceive when they listen or watch.
Compare and contrast a written story, drama, or poem to its audio, filmed, staged, or multimedia version, analyzing the effects of techniques unique to each medium (e.g., lighting, sound, color, or camera focus and angles in a film).
Analyze the extent to which a filmed or live production of a story or drama stays faithful to or departs from the text or script, evaluating the choices made by the director or actors.
Analyze the representation of a subject or a key scene in two different artistic mediums, including what is emphasized or absent in each treatment (e.g., Auden’s “Musée des Beaux Arts” and Breughel’s Landscape with the Fall of Icarus).

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